Banned and Challenged Books

Censored & Banned Literature examines the wide range of important literary texts that have been subjected to censorship, either at the time of their first publication, later in their history, or both. Because important works frequently offer challenging responses to social, historical, and political issues, often it is the very best works that provoke - at least initially - the most hostility or discomfort. This volume includes The Adventures of Huckleberry Finn, Mark Twain (1884), The Catcher in the Rye, J. D. Salinger (1951) and Beloved, Toni Morrison (1987).

When Henry Vizetelly was imprisoned in 1889 for publishing the novels of Émile Zola in English, the problem was not just Zola's French candour about sex - it was that Vizetelly's books were cheap, and ordinary people could read them. Censored exposes the role that power plays in censorship . . . Rich with illustrations that bring to life the personalities and the books that feature in its stories, Censored takes readers behind the scenes into the courtroom battles, legislative debates, public campaigns, and private exchanges that have shaped the course of literature.

Thoroughly documented and richly illustrated. . . . Boyer has traced the confusions, the ironies, and the sometimes humorous and sometimes tragic effects of American efforts to cope with the question of what is permissible and what is taboo in the public morality and in the printed word."-George K. Smart, American Quarterly"Boyer has carefully read the sources, interviewed surviving participants in the censorship battles, and has produced an eminently readable and judicious account."-Stow Persons, American Historical Review."

From Huckleberry Finn to Harry Potter, from Internet filters to the v-chip, censorship exercised on behalf of children and adolescents is often based on the assumption that they must be protected from "indecent" information that might harm their development--whether in art, in literature, or on a Web site. But where does this assumption come from, and is it true?  In Not in Front of the Children, Marjorie Heins explores the fascinating history of "indecency" laws and other restrictions aimed at protecting youth. From Plato's argument for rigid censorship, through Victorian laws aimed at repressing libidinous thoughts, to contemporary battles over sex education in public schools and violence in the media, Heins guides us through what became, and remains, an ideological minefield. With fascinating examples drawn from around the globe, she suggests that the "harm to minors" argument rests on shaky foundations.

Whether the product of passion or of a cool-headed decision to use ideas to rationalize excess, the decimation of the world's libraries occurred throughout the 20th century, and there is no end in sight. Cultural destruction is, therefore, of increasing concern. In her previous book Libricide, Rebecca Knuth focused on book destruction by authoritarian regimes: Nazis, Serbs in Bosnia, Iraqis in Kuwait, Maoists during the Cultural Revolution in China, and the Chinese Communists in Tibet. But authoritarian governments are not the only perpetrators. Extremists of all stripes--through terrorism, war, ethnic cleansing, genocide, and other forms of mass violence--are also responsible for widespread cultural destruction, as she demonstrates in this new book.

Where they have burned books, they will end in burning human beings, declared German poet Heinrich Heine. This book identifies the regime-sponsored, ideologically driven, and systemic destruction of books and libraries in the 20th century that often served as a prelude or accompaniment to the massive human tragedies that have characterized a most violent century. Using case studies of libricide committed by Nazis, Serbs in Bosnia, Iraqis in Kuwait, Maoists during the Cultural Revolution in China, and Chinese Communists in Tibet, Knuth argues that the destruction of books and libraries by authoritarian regimes was sparked by the same impulses toward negation that provoked acts of genocide or ethnocide. Readers will learn why some people--even those not subject to authoritarian regimes--consider the destruction of books a positive process. Knuth promotes understanding of the reasons behind extremism and patterns of cultural terrorism, and concludes that what is at stake with libricide is nothing less than the preservation and continuation of the common cultural heritage of the world. Anyone committed to freedom of expression and humanistic values will embrace this passionate and valuable book.

Foerstel gives an enlightening analysis of censorship in U.S. schools and public libraries. Provided is a survey of major book-banning incidents in the United States, accessible background material on the legal history of book banning, new and updated interviews with banned writers, and a synopsis of the 50 most frequently challenged books from the period 1996-2000. A selected bibliography of works about censorship is also included.

Continues the series giving high school and undergraduate students a background of uncontested information and representative statements of the positions taken by opponents in current issues.

The influence of censorship on the intellectual and political life in the Habsburg Monarchy during the period under scrutiny can hardly be overstated. This study examines the institutional foundations, operating principles, and results of the censorial activity through analysis of the prohibition lists and examination of the censors themselves. The effects of censorship on the authors, publishers, and booksellers of the time are illustrated with the help of contemporary documents. . . An annex documents the most important regulations along with a selection of censorial reports.

Examining the breadth and scope of censorship in Fascist Italy, from Mussolini's role as 'prime censor' to the specific experiences of female writers, this is a fascinating look at the vulnerability of culture under a dictatorship.

This rich and varied collection of essays by scholars and interviews with artists approaches the fraught topic of book destruction from a new angle, setting out an alternative history of the cutting, burning, pulping, defacing and tearing of books from the medieval period to our own age.

The first comprehensive examination of Australian book censorship, this enlightening and enthralling discussion is based on Nicole Moore? discovery of the secret "censor? library" in theNational Archives.Combining scholarship with the narrative tension of a thriller,the book exposes the scandalous history of censorship in Australia.

At the height of state censorship in Japan, more indexes of banned books circulated, more essays on censorship were published, more works of illicit erotic and proletarian fiction were produced, and more passages were Xed out than at any other moment before or since. As censors construct and maintain their own archives, their acts of suppression yield another archive, filled with documents on, against, and in favor of censorship. The extant archive of the Japanese imperial censor (1923-1945) and the archive of the Occupation censor (1945-1952) stand as tangible reminders of this contradictory function of censors. As censors removed specific genres, topics, and words from circulation, some Japanese writers converted their offensive rants to innocuous fluff after successive encounters with the authorities. But, another coterie of editors, bibliographers, and writers responded to censorship by pushing back, using their encounters with suppression as incitement to rail against the authorities and to appeal to the prurient interests of their readers. This study examines these contradictory relationships between preservation, production, and redaction to shed light on the dark valley attributed to wartime culture and to cast a shadow on the supposedly bright, open space of free postwar discourse.

This study is the first systematic analysis in any language of state censorship of literature and theater in imperial Germany (1871–1918). To assess the role that formal state controls played in German literary and political life during this period, it examines the intent, function, contested legal basis, institutions, and everyday operations of literary censorship as well as its effectiveness and its impact on authors, publishers, and theater directors.

Investigates the role played by censorship in the Spanish-language publishing industry, which led to the Latin American Boom literature of the 1960s and 1970s.